Podcast film review

Apollo 11 should be compulsory viewing for the wackadoodles who think that Danny Torrance’s rocket ship jumper in The Shining

It’s a new day at Double Whammies, the fictional family establishment at the heart of Support The Girls, and Lisa

Peter Strickland’s breakthrough film, Berberian Sound Studio, was a chilly horror masterpiece, playing with form and fear to make us

The Captor begins with a Coens-esque title card: “Based on the absurd but true story.” The uncertainty in the statement

Dance was so central to Georgia Parris’ shorts Brighter Borough and Every Savage Can Dance that it comes as no

And so Hollywood’s obsession with refurbishing the newest, hippest plaything from the oldest and tattiest of parts leads back to

With superheroes saturating the box office in the last couple of decades, a driving quest is to find something fresh.

The opening of Diego Maradona cuts right to the chase: with a lo-fi set-piece of the footballer driving through Naples

Coming on like a true-life story (it’s utterly made up), Kim Nquyen’s film is built on a distinctly unpromising hook

Borrowing heavily from the aesthetics of the films of Wes Anderson, Carl Hunter’s debut film, Sometimes Always Never, shares a